Alaska-Yukon-Pacific Digital Collection
Preview up to 100 items from this collection below. Seattle’s first World’s Fair, the 1909 Alaska-Yukon-Pacific Exposition, made Seattle a Pacific Rim gateway. View materials from SPL and the Museum of History and Industry in this collection.
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"Ground plans of the exposition," The Coast, February 1907
A brief article in which the design for the preliminary ground plan for the A.Y.P.E. by J. C. Olmsted is presented and discussed. From page 79, "twelve large exhibit palaces arranged in an unique manner will form the nucleus of the exposition." Includes ground plan. Coast 13:2 (February 1907): 78-79, illustrated.
Identifier: spl_ayp_179583_feb1907
Date: 1907-02
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Souvenir information guide and directory: A.Y.P. Exposition memorandum and daily calendar, 1909
Small guidebook intended to provide information about the city of Seattle and the A.Y.P.E. Guide includes information about ports, parks, amusements, points of interest, A.Y.P.E. maps and schedule, cab and hack fares, streetcar fares and schedules, ferry fares and schedules, a street directory and other information. Also includes an "identification card" on the verso of the title page in which the owner would write identifying information such as home and temporary addresses, ticket numbers, height, weight and emergency contact information. Includes map. 114 pages, 14 cm, illustrated.
Identifier: spl_ayp_323513
Date: 1909
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Dyea, Alaska from Dyea Mt., ca. 1899
Dyea was a short-lived town used by prospectors during the Klondike Gold Rush as an entrance to the Chilkoot Trail. It became less popular after a large avalanche blocked much of the trail on April 3, 1898 killing over 70 prospectors. In May 1898 White Pass & Yukon Route railroad route opened in the neighboring town of Skagway, offering a faster, safer way for prospectors and their gear to reach the gold fields.
Identifier: spl_ap_00136
Date: 1899?
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"Next World's Fair," The Coast, July 1908
An article describing the preparations underway for the A.Y.P.E. including exhibits planned and buildings under construction as well as the passage of a bill by Congress to appropriate funds for government displays. Also included are more detailed descriptions of the three planned permanent buildings: the Fine Arts Palace (now the Architecture Building), the Auditorium and Machinery Hall. Coast 16.1 (July 1908): 16-19, illustrated.
Identifier: spl_ayp_179583_jul1908
Date: 1908-07
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Village on our “Cannibal Coast”, 1788
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_15.145
Date: 1955
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Vine Court Apartments, April 1973
Seattle' "The Old Vinecourt" Vine Str. & Third Av.; view S.E. Old Apt. House rebuilt into modern live in office apts.
Identifier: spl_wl_apt_00099
Date: 1973-04
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[Untitled], ca. 1921
Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.
Identifier: spl_art_367924_09
Date: 1921
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Invitation from the New England Club of Seattle to dance at the Washington State Building, September 11, 1909
Printed invitation inscribed to “Esquire Grant.” Includes small printed image of a ship labeled "Mayflower, 1620." Seal reading "New England Club Landing. A-Y-P Sept. 11" with an image of a ship is affixed to the invitation. Written in Old English.
Identifier: mohai_ayp_2006.3.47.1
Date: 1909-09-11
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