Jewish Transcript
Preview up to 100 items from this collection below. This newspaper covered local news from Seattle’s Jewish community as well as international reporting on events like World War II and the settlement of Israel.
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Jewish Transcript, v. 5, no. 19, Jul. 13, 1928
Identifier: spl_jt_3018328_05_19
Date: 1928-07-13
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King County Central Blood Bank, 1947
Transcribed from photograph: "Buildings. King County central blood bank. Exterior. 1947. St. James Towers in background. Modern. Naramore, Bain, Brady & Johanson, and Joseph Wohleb, architects."
Identifier: spl_shp_20013
Date: 1947
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Jewish Transcript v. 1, no. 36, Nov. 14, 1924
Identifier: spl_jt_3018328_01_36
Date: 1924-11-14
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Jewish Transcript, v. 15, no. 6, Apr. 8, 1938
Identifier: spl_jt_3018328_15_06
Date: 1938-04-08
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Jewish Transcript, v. 15, no. 37, Nov. 11, 1938
Identifier: spl_jt_3018328_15_37
Date: 1938-11-11
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Jewish Transcript, v. 15, no. 5, Apr. 1, 1938
Identifier: spl_jt_3018328_15_05
Date: 1938-04-01
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Souvenir guide of the Alaska-Yukon-Pacific Exposition : held at Seattle, Washington, June 1st to October 16th, 1909
A guidebook to the A.Y.P.E. Includes maps, directions, places and events to see in Seattle, information on hotel accommodations, and an index to "Special Days and Events" at the exposition. 64 pages, 16 cm, illustrated.
Identifier: mohai_ayp_2006.3.30
Date: 1909
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Jewish Transcript, v. 25, no. 16, Jan. 19, 1948
Identifier: spl_jt_3018327_25_16
Date: 1948-01-19
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Captain Cook
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_15.140
Date: 1955
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[Untitled], ca. 1921
Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.
Identifier: spl_art_367924_09
Date: 1921
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