Northwest Art Collection
Preview up to 100 items from this collection below. Prints, drawings and paintings by artists Mark Tobey, Kenneth Callahan, Helmi Juvonen, Robert Cranston Lee and others celebrate the Northwest. Many pieces hail from the 1934 Public Works of Art Project.
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Squaw and dog
Born in 1881 in Detroit, Michigan, Eustace Ziegler was a painter of the Alaskan School who painted mainly landscapes, portraits and did figure drawing of Northwest Indians. He was trained at Yale University. He taught private art lessons in Seattle in the 1920’s and 30’s and was highly influential to many Northwest artists. One of his pupils was Guy Anderson. Ziegler died in 1969.
Identifier: spl_art_Z624Sq
Date: 1934
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Spanish bread oven at Neah Bay
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_16.160
Date: 1956
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Wilkes Expedition at Fort Nisqually, 1841
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_17.170
Date: 1956
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Kenneth Callahan Interview, 1984
Kenneth Callahan (1905-1986) was a noted Washington artist, known for his work in painting and sculpture. Together with Mark Tobey, Guy Anderson and Morris Graves, Callahan was part of the “Northwest Mystics” or “Northwest School” a group of artists formed during the 1930s who embraced Asian aesthetics and the natural environment of the Puget Sound. Callahan was born in Spokane, Washington and raised in Glasgow, Montana. His family moved to Raymond, Washington in 1918 and then Seattle in 1920. Callahan attended Broadway High School and, briefly, the University of Washington. He moved to San Francisco where he had his first one-man show and worked as a ship’s steward before returning to Seattle in 1930. In the same year, he married Margaret Bundy. The couple’s home quickly became a meeting point for many figures in Seattle’s art scene. During the Great Depression, Callahan worked as an artist for the Federal Arts Project. In 1933, Callahan’s work was included in the First Biennial Exhibition of Contemporary Art at the Whitney Museum and Callahan began working as a curator at the Seattle Art Museum, a role he continued until 1953. In 1954 he won a fellowship from the Guggenheim. He traveled extensively through Europe and South America and focused on his painting. In 1961 Margaret passed away after a battle with cancer. Callahan remarried Beth Inge Gotfredsen in 1964 and the couple moved to Long Beach, Washington. Callahan returned to Seattle in 1984, shortly before his 1986 passing. Callahan’s work is included in the collections of several prominent museums including the Seattle Art Museum, the Guggenheim, the Museum of Modern Art, the Metropolitan Museum, the Hirshhorn Museum and the Chicago Art Institute.
Identifier: spl_ds_kcallahan_01
Date: 1984
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Practical joke on Chief Maquinna, 1785
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_15.141
Date: 1955
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Spanish artist at Nookta
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_16.155
Date: 1955
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Chanting Shaker
A North American Indian, Julius Twohy was a member of the Ute tribe. He worked on the Federal Works of Art Project under Robert Bruce Inverarity and created murals for the project in Tacoma. He collaborated on the project with Fay Chong, Hans Bok and Jacob Elshin. He was a friend of Helmi Juvonen.
Identifier: spl_art_T932Fi
Date: 1941?
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Spanish explorers becalmed off Patos Island
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_16.153
Date: 1955
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