Arthur C. Pillsbury Collection
See photographs of the Klondike Gold Rush, California, Oregon and Washington taken by Arthur C. Pillsbury (1870-1946) between about 1896 and 1900.
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Sea Serpent and Grizzly totem poles outside Chief Shake's house in Wrangell, Alaska, ca. 1899
The pole on the left is the ""Sea Serpent"" pole and the pole on the right is the ""Bear up Mountain"" pole.
Identifier: spl_ap_00075
Date: 1899?
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Boats unloading freight on waterfront in Nome, Alaska, September 28, 1899
Boats landing on the Nome waterfront carrying supplies for prospectors. Crowds of people line the beach. The same photograph was published on page 273 of the "Brotherhood of Locomotive Firemen and Enginemen's Magazine," Volume 29. Gold was discovered near Nome in the summer of 1898. Prospectors rushed to stake claims and Nome's population quickly ballooned to 10,000 people. In 1899, more gold was discovered on beaches near the town and spurred an even greater rush of visitors. By 1900, an estimated 1000 people a day were arriving in Nome. Pillsbury took some of the first available photographs of the city. Following his departure, the winter conditions made it too difficult for others to reach the area. This photograph was published in the June 1900 issue of Harper's Weekly. An illustration based on the photograph was also featured in the June 1900 issue of McClure's Magazine.
Identifier: spl_ap_00178
Date: 1899-09-28
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Tagish Lake, Canada, ca. 1899
Tagish Lake is located on the border of British Columbia and Yukon.
Identifier: spl_ap_00159
Date: 1899?
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Christmas on Vancouver Island
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_16.157
Date: 1956
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Narcissa Latimer letter to Alexander Latimer, September 19, 1869
Narcissa Leonora (Nora) Latimer Denny was the daughter of Alexander and Sarah Latimer. She had four sisters: Eliza Alice Latimer Fowler (1856-1934), Harriet Ellen Latimer Stephens (1859-1938), Clara Latimer Bickford (1861-1934), and Emma Chesney Latimer Reynolds (1864-1946). Narcissa married Orion Denny on April 1, 1889. The letter is addressed to her father, Alexander, and discusses her schooling, desire to take vocal classes and other family matters. The letter is written from Macomb, Illinois.
Identifier: spl_lj_007
Date: 1869-09-19
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Tagish Lake, Canada, ca. 1899
Tagish Lake is located on the border of British Columbia and Yukon.
Identifier: spl_ap_00100
Date: 1899?
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Winter dance time
Helmi Juvonen was born in Butte, Montana on January 17, 1903. She worked in many media including printmaking, painting and paper-craft. She attended Cornish College of the Arts in Seattle where she met artist Mark Tobey with whom she was famously obsessed. Although she was diagnosed as a manic-depressive in 1930, she gained wide appreciation in the Northwest for her linocut prints depicting Northwest Indian people and tribal ceremonies. She worked with a number of artists on the Public Works of Art Project including Fay Chong and Morris Graves. Over the years, her mental health deteriorated and in 1960 she was declared a ward of the state and was committed to Oakhurst Convalescent Center. She was much beloved and had many friends and benefactors (including Wes Wehr) and was able to have exhibitions despite the confinement. She died in 1985.
Identifier: spl_art_J989Wi
Date: 1946
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Fur Traders
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_17.169
Date: 1956
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View SE from 2nd Ave. and Bell St., ca. 1906
Photograph appears to be taken after the completion of regrade work on 2nd Avenue. The Moore Theatre and the New Washington Hotel are visible on the right side of the photo in the distance.
Identifier: spl_dr_038
Date: 1906
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