See photographs of the Klondike Gold Rush, California, Oregon and Washington taken by Arthur C. Pillsbury (1870-1946) between about 1896 and 1900.
The Town Crier, v.7, no.7, Feb. 17, 1912
Page 3 article "The Middle Ground" discusses the mayoral contest between Hiram C. Gill and George F. Cotterill. Page 5 article discusses mayoral candidate Thomas A. Parish. Page 6 article "The Voteress" discusses women's suffrage in Seattle.
Identifier: spl_tc_915126_1912_07_07
Date: 1912-02-17
View this itemPencil sketches of CCC camps: drilling for blasting - the jack-hammer crew; Lake Cushman, Wash.
Identifier: spl_art_N779Pe01
Date: 1934
View this itemMcKee's Correct Road Map of Seattle and Vicinity, Washington, U.S.A., 1894
""Showing details of roads and graded streets and positions of principal dwellings and prominent buildings.""
Identifier: spl_maps_2445404
Date: 1894
View this itemBroughton's party on the Columbia River
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_17.168
Date: 1956
View this itemThe gates of Paradise
Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.
Identifier: spl_art_367924_08
View this itemTownship Plats of King County, Washington Territory - Page 02, Township 21N, Range 2E
This atlas shows early land ownership for King County, Washington, providing names and property boundaries of original purchasers, grantees, claimants, etc.
Identifier: spl_map_218451_P02_T21N_R2E
Date: 1889
View this itemIndigenous woman with child on her back, ca. 1899
The identity of the woman and child are unknown. The photograph was likely taken in Alaska or Western Canada but the exact region is unknown. An illustration based on this photograph appeared in the June 1900 edition of McClure's Magazine.
Identifier: spl_ap_00170
Date: 1899?
View this itemGourmet's Notebook, v.10, no.7, Sep. 1982
Cafe Juanita, pg. 55; El Puerco Lloron, pg. 51; Elliott Bay Fish and Chowder House, pg. 54; Jazz Alley, pg. 52; Kokeb, pg. 49; Second Landing, pg. 53; Shezan, pg. 50
Identifier: spl_gn_928180_1982_10_07
Date: 1982-09
View this itemWilkes Expedition at Fort Nisqually, 1841
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_17.170
Date: 1956
View this itemSpanish bread oven at Neah Bay
Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.
Identifier: spl_art_291985_16.160
Date: 1956
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