• The Town Crier, v.7, no.7, Feb. 17, 1912

    The Town Crier, v.7, no.7, Feb. 17, 1912

    Wood, James A.; Reber, E.L; Haines, J.C.

    Page 3 article "The Middle Ground" discusses the mayoral contest between Hiram C. Gill and George F. Cotterill. Page 5 article discusses mayoral candidate Thomas A. Parish. Page 6 article "The Voteress" discusses women's suffrage in Seattle.

    Identifier: spl_tc_915126_1912_07_07

    Date: 1912-02-17

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  • Pencil sketches of CCC camps: drilling for blasting - the jack-hammer crew; Lake Cushman, Wash.

    Pencil sketches of CCC camps: drilling for blasting - the jack-hammer crew; Lake Cushman, Wash.

    Norling, Ernest R. (Ernest Ralph), b.1892

    Identifier: spl_art_N779Pe01

    Date: 1934

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  • McKee's Correct Road Map of Seattle and Vicinity, Washington, U.S.A., 1894

    McKee's Correct Road Map of Seattle and Vicinity, Washington, U.S.A., 1894

    McKee, R. H.; Dehly, F. M.; Reynolds, Alexander M.

    ""Showing details of roads and graded streets and positions of principal dwellings and prominent buildings.""

    Identifier: spl_maps_2445404

    Date: 1894

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  • Broughton's party on the Columbia River

    Broughton's party on the Columbia River

    McAllister, Parker S. (1903-1970)

    Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.

    Identifier: spl_art_291985_17.168

    Date: 1956

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  • The gates of Paradise

    The gates of Paradise

    Kunishige, Frank A.

    Frank Asakichi Kunishige was born in Japan on June 5, 1878. He came to the United States via San Francisco in 1895. After graduating from the Illinois College of Photography, he opened a small photography studio in San Francisco. Kunishige moved to Seattle in 1917. In the same year, he married Gin Kunishige and began working in the studio of Edward S. Curtis where he became acquainted with Ella McBride who he worked for in later years. Kunishige was well known for his use of Pictorialism, a popular painterly style of photography. He developed his photographs on "textura tissue," a paper of his own creation, which allowed him to produce almost dreamlike prints. His work was featured nationally and internationally in exhibitions and publications such as Photo-Era and Seattle's Town Crier. In 1924, Kunishige became one of the founding members of the Seattle Camera Club, a group of local photographers including Kyo Koike, Yukio Morinaga, Iwao Matsushita and Fred Y. Ogasawara who gathered to share techniques and ideas, as well as their deep love of the medium. Although the group was initially solely Japanese, they soon welcomed more members including Ella McBride, their first female member. When World War II struck and the country's Japanese internment policy was put in place, Kunishige and his wife were forced to leave Seattle for Idaho where they were interned at the Minidoka camp. After their release, Kunishige spent two years working at a photography studio in Twin Falls, Idaho but eventually returned to Seattle due to his poor health. Frank Kunishige passed away on April 9, 1960.

    Identifier: spl_art_367924_08

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  • Township Plats of King County, Washington Territory - Page 02, Township 21N, Range 2E

    Township Plats of King County, Washington Territory - Page 02, Township 21N, Range 2E

    Oliver P. Anderson & Co.

    This atlas shows early land ownership for King County, Washington, providing names and property boundaries of original purchasers, grantees, claimants, etc.

    Identifier: spl_map_218451_P02_T21N_R2E

    Date: 1889

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  • Indigenous woman with child on her back, ca. 1899

    Indigenous woman with child on her back, ca. 1899

    Pillsbury, Arthur C. (Arthur Clarence)

    The identity of the woman and child are unknown. The photograph was likely taken in Alaska or Western Canada but the exact region is unknown. An illustration based on this photograph appeared in the June 1900 edition of McClure's Magazine.

    Identifier: spl_ap_00170

    Date: 1899?

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  • Gourmet's Notebook, v.10, no.7, Sep. 1982

    Gourmet's Notebook, v.10, no.7, Sep. 1982

    Gourmet's Notebook

    Cafe Juanita, pg. 55; El Puerco Lloron, pg. 51; Elliott Bay Fish and Chowder House, pg. 54; Jazz Alley, pg. 52; Kokeb, pg. 49; Second Landing, pg. 53; Shezan, pg. 50

    Identifier: spl_gn_928180_1982_10_07

    Date: 1982-09

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  • Wilkes Expedition at Fort Nisqually, 1841

    Wilkes Expedition at Fort Nisqually, 1841

    McAllister, Parker S. (1903-1970)

    Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.

    Identifier: spl_art_291985_17.170

    Date: 1956

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  • Spanish bread oven at Neah Bay

    Spanish bread oven at Neah Bay

    McAllister, Parker S. (1903-1970)

    Parker McAllister, born in 1903 in Massachusetts, was a Seattle Times artist from 1924 to 1965. McAllister started his career as an illustrator at 14 for a Spokane publication; he joined the art staff at the Seattle Times in 1920. His first Sunday magazine cover was a poster-type illustration celebrating the University of Washington crew races in spring 1924. During McAllister's career, he created illustrations depicting “local color” events and situations now routinely handled by photographers. As the technology improved, he expanded his repertoire - he illustrated articles, drew covers for special sections and the weekly Seattle Sunday Times Magazine, and drew diagrams, comics, cartoons, and portraits for the Times’ editorial page. In 1956, an exhibition of his watercolor and oil paintings of Pacific Northwest scenes and historical incidents - including some paintings from the “Discovery of the Pacific Northwest” series - were exhibited at the Washington State Historical Society Museum in Tacoma. He was also a member of the Puget Sound Group of Men Painters. McAllister retired from the Seattle Times in 1965; he passed away in Arizona in 1970.

    Identifier: spl_art_291985_16.160

    Date: 1956

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